| A. Yes, that is EXACTLY what we strive to do. Most
of our students have bachelor and graduate degrees, so we
have a highly educated pool of people to work with. We believe
that self-knowledge is the key to deep acting, however it
is not an academic enterprise, and that's why it is often
skipped over in university based programs. Many professional
actors in NYC and LA still attend acting class or have private
coaches to keep them sane and keep their instruments functioning
at a high emotional level.
A. Yes, our classes are perfect for serious
beginners who are looking for training and self expression.
A. If you are a complete beginner you will acquire a working
vocabulary and understanding of what the art of acting is
about. If you are already an experienced actor, especially
if you're visiting SF from NYC or LA, you'll find this class
to be a place where you can challenge yourself and continue
pushing your edge. We help actors use their impulses so that
their work is believable and dynamic.
A. Please go to the following web site for help with that
question: www.theatrgroup.com
A. These classes are for both.
A. Acting will bring a lot of attention
to your inner life, strengthen your emotional expression and
increase your self-awareness. It will teach you about poetry,
philosophy, psychology and the humanities in general.
A. No, this is a very small school and we don't have visas
at this time.
A. There is no one method that anyone can pin their talent
on; talent does not like to be put in a box! We teach
students to be Great Actors
which is timeless and universal. The term 'Method Acting'
began to be known in the USA in the 1950s because of the startling
new energy found in the performances of Marlon Brando, James
Dean, Shelley Winters, Joanne Woodward, Paul Newman and Geraldine
Page (all Oscar winners except James Dean who died at the
age of 24). Elia
Kazan (founder of the Actors Studio in 1948), Lee
Strasberg, Stella
Adler, Harold
Clurman, Bobby
Lewis and Sanford
Meisner (none of whom were ever members of the Actors
Studio) were all members of the Group Theater, which thrived
in New York during the 1930s. The Group Theater ended with
the beginning of WWII. By the late 1940s all of the above
named Group members opened schools based on their own understanding
of Stanislavsky and how his ideas helped them as creative
artists. Other important teachers we incorporate into our
classes are: Ute
Hagen and Peter
Brook.
A. Yes, we have a growing circle of students who've gone to
NYC and LA. In the last two years 95% of our students have
gotten into the graduate or conservatory of their choice,
including the Royal Academy of Dramatic Art in London, the
Actors Studio Master's program, UCLA, NYU, Circle in the Square
and the Neighborhood Playhouse. An equal percentage of students
who are first time actors have been cast in local independent
films after working at ACSF. Others have gone to Europe with
a focus in both theater and film.
More Questions about ACSF? Give us a call (415) 861-4965
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